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Between The Lines -  Remastered MP3, FLAC or AUDIOPHILE Downloads (1975)

Between The Lines - Remastered MP3, FLAC or AUDIOPHILE Downloads (1975)


IMPORTANT: Please read this information regarding downloading audio files to your phone or tablet.

Choose between high quality MP3 files (320kbps), CD quality FLAC files (16bit, 44.1kHz) or audiophile quality FLAC files (24bit, 96kHz).

Re-mastered from the original analogue source tapes, overseen by Janis, Brooks Arthur, and Steve Berkowitz, with CDs manufactured by our favorite company, Oasis CD! 

A limited edition CD bundle is also available.

To purchase a signed copy of this CD please visit the Janis Ian "All Things Signed" website.


  1. When The Party's Over
  2. At Seventeen
  3. From Me To You
  4. Bright Lights And Promises
  5. In The Winter
  6. Watercolors
  7. Between The Lines
  8. The Come On
  9. Light A Light
  10. Tea And Sympathy
  11. Lover's Lullabye

The Basics: Produced by Brooks Arthur, recorded at 914 Studios summer 1974, released February 1975 (Columbia). 5 Grammy Grammy Award Winner nominations (most to that date for any solo female artist, a record broken only by Whitney Houston years later) and two Grammys: "Album of the Year - Between the Lines", "Best Pop Vocal Performance, Female - At Seventeen" (Grammy), "Song of the Year - At Seventeen", "Record of the Year - At Seventeen"; "Best Engineered Recording, non-classical - Between the Lines" (Grammy). Platinum in the US, Australia, UK; gold in Holland, Belgium, South Africa, Israel. "At Seventeen" #1 single US; top twenty single UK, Australia, Holland, Israel.

The Inside Scoop:Janis began making more aggressive decisions in the studio, thanks to Brooks' and arranger Ron Frangipane's generosity in teaching her about recording and arranging. In fact, she threw a member of her management team out of the studio during the recording of "At Seventeen" because they kept saying "You're blowing a hit!" She had gone completely broke making Stars and had to move into her mother's New York apartment for six months; she wrote "At 17" sitting at the dining room table, reading a New York Times Magazine article about debutantes that began "I learned the truth at eighteen". She sang it onstage with her eyes closed for a year, because she was convinced the audience would laugh at her.

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